| Script.
Because every frame is going to be hand-drawn, Animation needs to be meticulously
planned. The starting point is always the script. |
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Storyboard.
This is the comic strip interpretation of the script, describing
all the main moments, scene by scene. |
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| Soundtrack.
In the topsy turvey world of Animation the soundtrack needs to be recorded
up front, and becomes the foundation for the planning of the entire production.
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Track
Reading. In order to work out scene timings and plan the performances
of the characters, the soundtrack must to be analyzed frame by frame. |
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| Designs.
As part of pre-production all the principal characters and background settings
must be designed. |
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Leica
Reel. In order to get a first impression of how the finished
scenes would look by filming the storyboard drawings to the timings derived
from the soundtrack. The live version of a leica reel is called an animatic. |
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| Pencil
test. With the planning approved, animation gets underway and
as each scene is roughed out in pencil, it is test shot on video. |
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Clean
up. Once approved, the rough line-test drawings are cleaned up
and prepared for scanning. |
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| Scanning,
Tracing & Painting. The cleaned up
drawings are scanned and painted on the computer. |
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Compositing.
Having been precisely timed out on exposure sheets, the painted scenes are
combined with the backgrounds and all the camera moves and special effects
are now put in place. |
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| Rendering
and Output. The completed scenes take time to be rendered out
on the computer, but once rendered they are stored as digital files, which
can be output to final master. |
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Final
Sound. It’s always best to leave the adding of special sound
effects and a final mix of the soundtrack until after the final pictures
have been completed. |
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